Visualizing Pressible: EdLab Artist-in-Residency in NYC

Visualizing Pressible: Blog Clusters & Growth of a System from blprnt on Vimeo.

For July and half of August, I’m the artist-in-residence at EdLab, a research group which is part of Teachers College at Columbia University.

I’ll be working with data from Pressible, a network of sites published by Teachers College students, faculty and staff. I’m interested in looking at the growth of this system, and in examining intertextuality between content in a network with a broad range of research interests.

I’ll posting about my process in as much detail as I can on my own Pressible site: blprnt.pressible.org. On that site, you’ll already find some early aesthetic and structural explorations, and you’ll be able to follow along with the project as it moves towards completion.

This residency will keep me in NYC until at least the end of August; if you are in the area and would like to connect, please get in touch.

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Wired UK, Barabási Lab and BIG data

Over the last year, I’ve produced five data-driven pieces for Wired UK. Four of them have been for the two-page infoporn spread that can be found in every issue. I’ve looked at the UK’s National DNA Database, used mined Twitter data to find people’s travel paths, and mapped traffic in some of the world’s busiest sea ports.

In the August issue, out on newsstands right now, I had a chance to work with some spectacular data and extremely talented people. The piece looks at a very, very big data set – cellular phone records from a pool of 10 million users in an anonymous European country. This data came (under a very strict layer of confidentiality) from Barabási Lab in Boston, where they have been using this information to find out some fascinating things about human mobility patterns.

In this post, I’ll walk through the process of creating this piece. Along the way, I’ll show some draft images and unused experiments that eventually evolved into the final project.

Working With Big Data

I can’t get into a lot of detail about the specifics of the data set, but needless to say, phone records for 10 million individuals take up a lot of space. All told, the data for this project consisted of more than 5.5GB of flattened text files. I should say, at this point, that I don’t work on a supercomputer – I churn out all of my work from an often overheated 2.33GHZ MacBook Pro. Since the deadline was reasonably tight on this project, I decided to rule out a distributed computing approach to get at all of this data, and instead chose to work with a subset of the full list of records. Working in Processing, I built a simple script that could filter out a smaller dataset from the complete files. I built several of these at varying file sizes, giving me a nice set of data to work with both in prototyping and in production stages. This is a strategy that I often employ, even with more minimal datasets – save the heavy lifting until the final render.

The first thing I did with the trimmed-down data was to construct ‘call histories’ for each user in the set. I rendered out these histories as stacked bars of individual calls, which could then be placed into a histogram. Here’s a graph of about 10,000 users, sorted by their total time spent on the phone :

Wired UK & Barabási Lab: Process

Here we see a very obvious power law distribution, with a few people talking a lot (really, a lot – 28.3 hours a week), and most callers talking relatively little (these is also a tail of text-only users at the very end). The problem here, of course, is that on a computer screen – or even in print – it’s hard to get into the data to learn anything useful. When I zoom into the graph, we can start to see the individual call histories (I’ve enlarged a few columns for detail). Here, long calls are rendered yellow, short calls are rendered red, and text messages are flat blue rectangles:

Wired UK & Barabási Lab: Process

I took the same graph as above, and added another set of columns extending below – here the white bars show us how many ‘friends’ the individual callers had – ie. how many people they are regularly talking to over the week:

Wired UK & Barabási Lab: Process

If I sort this graph by number of friends (rather than total call time), we can see that the two measures (talkativeness, and number of friends) don’t seem to be strongly correlated:

Wired UK & Barabási Lab: Process

It’s interesting to note here as well, that the data set includes linkage information – so I can also visualize who is calling who within our group of individuals:

Wired UK & Barabási Lab: Process

There is some interesting information to be dug up in here, but the long aspect of the graph and the general over-detail involved makes it not very usable – particularly for a magazine piece.

Ooh, and then Aaah.

The Infoporn section in Wired is a two page spread;  I always think of it as needing to serve two separate purposes for two different kinds of readers. First, it needs to be visually pleasing. I want people to say ‘Oooh…!’ when they turn the page to it. Once they’re hooked, though, I want them to learn something – the ‘Aaah!’ moment.

The data used in the graphs above seemed too complex to do anything truly revealing with – so perhaps it could be built into something sexy enough to draw an ‘Oooh!’ or two? In order to fit the long tails of these graphs onto the page, I wondered if I could add a bit of a curl to them. To make this structural change evident, I turned the graphs on a slight angle and rendered them in 3D. Here, we see five of these graphs, totaling about a million individual users, arranged into a single, tower-like shape:

Wired UK & Barabási Lab: Process

While these structures took a little while to render, I could quite easily generate a unique set of them, which I assembled as a line trailing off to the page edge on the left:

Wired UK & Barabási Lab: Process

Getting Personal

So far, the visuals for this project only tell a part of the story: that our individual calling habits fall into predictable patterns when placed with the larger whole (some excellent text from Michael Dumiak helps clarify this in the final piece). There’s another crucial piece, though. Cel phone usage data is inherently locative, since our provider always knows from which of their cel towers we are placing the call.

This is where the fun starts – we can use this locative data to track the mobility patterns of individual people (it’s worth saying here that all of the data the I worked with was anonymized). To do this, I created a tool (again, in Processing) to make ‘mobility cubes’ – which show a history of an individual’s movements over time:

Wired UK & Barabási Lab: Process

The individual above, for example, travels around an area less than a square kilometer over a period of just under three days. If I flatten this graph, we can see that this person travels mostly between two locations:

Wired UK & Barabási Lab: Process

From the data, we can identify a lot of individuals like this – commuters – who travel short distances between two places (home, and work). We can also find travelers (people who cover a long distance in a short period of time):

Wired UK & Barabási Lab: Process

And others who seem to follow more elaborate (but often still regular) mobility patterns:

Wired UK & Barabási Lab: Process

We can assemble a ‘mobility cube’ for each individual in the database – and very quickly gain a mechanism for recognizing patterns amongst these people:

Wired UK & Barabási Lab: Process

Which brings us to the underlying point of the piece – we are all leaving digital trails behind us, as we make our way around our individual lives. These trails are largely considered individual – even ethereal – yet technology is making these trails more visible and more readable everyday.

Of course, to see the final piece – the polished assembly of some of the drafts and artifacts you’ve seen in this post – you’ll have to buy the magazine. Wired UK is available on newsstands in the UK, and to all of our clever subscribers.

If you want to read more about this – and you should – I’d highly recommend Albert-László Barabási’s Bursts, which goes into much more detail about human mobility & predictability.

Finally, huge thanks have to go out to László and his team at the lab, without whom this piece would have never made it to print!

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Calgary to Newcastle

Jer on stage

I’ve spent the last 8 weeks or so traveling around, doing a lot of speaking and teaching. Below is an overview of some of the places I’ve been and things I’ve been doing.

First stop was the Alberta College of Art and Design, where Adam Tindale arranged for me to teach a workshop on Processing. Adam has a good thing going in Alberta – his students were great, and despite it being at the very end of the term we had a good turn out and I think people learned a lot. While I was there, I had the chance to see Adam perform live, which was a definite highlight – he mixed generative music with sets of abstract geometric forms live-coded in Processing.

I left Alberta and headed east for FITC in Toronto, where I gave a presentation titled ‘Hacking the Newsroom’. I also had the opportunity to sit on a panel organized by Tali Krakowsky, called ‘Storytelling: Absorbed, Obsessed, and Immersed’. I was humbled to be included in this group with John Underkoffler, Alex McDowell and Ben Kreukniet. You can read a good overview of the panel and our discussions here.

From Toronto, to Prague, where I was part of Transistor 2010, an event themed on digital archival run by a Czech new media organization called CIANT. The event was hosted at Prague’s famous FAMU school – many thanks to Eric Rosenzveig who invited me to take part and to Barbora and the staff at CIANT for taking care of me!

MultiMania is a free one-day conference that is organized in Kortrijk, Belgium by the lovely and talented Koen de Wegghelaire. Yes, you read that right – free. Not only that, it’s a huge event, held in a sparkling new conference centre, and packed with excellent presenters. I was really, really impressed. Again, I talked about data visualization, with a focus on some of the projects I have done with the NYTimes APIs.

Those of you who have read my blog for any period of time will know that I am a big fan of Daniel Shiffman, who teaches at New York’s ITP. Daniel’s book, Learning Processing, is not only the best Processing text out there, it’s the best ‘learning to program’ book that I have ever encountered. I was thrilled, then, to be asked last minute to join Daniel for a ‘Processing Salon’ in Amsterdam, at Mediamatic. The event turned out to be very popular – 160+ people crowded into the space to hear the two of us talk about our work in Processing. This was the first – and probably only – time I’ve spoken in a space where a plywood bike track snaked its way through the crowd!

Finally, I made it to Newcastle last week for Thinking Digital. Thinking Digital is a three-day event held at The Sage Gateshead, a very distinctive building just across the equally distinctive Millenium Bridge from Newcastle. Thinking Digital is loosely styled after events like TED and PopTech, bringing together speakers from a variety of disciplines – the TDC10 lineup included an origami expert, a mathematician, a comedian, along with the usual mix of ‘social media experts’ and ‘branding experts’. It was a really solid event – organizers looking for a model of a well-run conference should look to Herb Kim and his Codeworks team.

I am in the process of getting the three (four?) versions of my presentation up on SlideShare. In the meantime, if you attended any of these events and have questions or feedback, please feel free to leave a comment or to get in touch via e-mail.

My whirlwind of speaking behind me, I’ll be spending another week in the UK before heading back to North America for FlashBelt. I’ll be in London from the 9th to the 14th – if anyone fancies a pint while I’m there, let me know!

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Your Random Numbers – Getting Started with Processing and Data Visualization

Over the last year or so, I’ve spent almost as much time thinking about how to teach data visualization as I’ve spent working with data. I’ve been a teacher for 10 years – for better or for worse this means that as I learn new techniques and concepts, I’m usually thinking about pedagogy at the same time. Lately, I’ve also become convinced that this massive ‘open data’ movement that we are currently in the midst of is sorely lacking in educational components. The amount of available data, I think, is quickly outpacing our ability to use it in useful and novel ways. How can basic data visualization techniques be taught in an easy, engaging manner?

This post, then, is a first sketch of what a lesson plan for teaching Processing and data visualization might look like. I’m going to start from scratch, work through some examples, and (hopefully) make some interesting stuff. One of the nice things, I think, about this process, is that we’re going to start with fresh, new data – I’m not sure what kind of things we’re going to find once we start to get our hands dirty. This is what is really exciting about data visualization; the chance to find answers to your own, possibly novel questions.

Let’s Start With the Data

We’re not going to work with an old, dusty data set here. Nor are we going to attempt to bash our heads against an unnecessarily complex pile of numbers. Instead, we’re going to start with a data set that I made up – with the help of a couple of hundred of my Twitter followers. Yesterday morning, I posted this request:

Even on a Saturday, a lot of helpful folks pitched in, and I ended up with about 225 numbers. And so, we have the easiest possible dataset to work with – a single list of whole numbers. I’m hoping that, as well as being simple, this dataset will turn out to be quite interesting – maybe telling us something about how the human brain thinks about numbers.

I wrote a quick Processing sketch to scrape out the numbers from the post, and then to put them into a Google Spreadsheet. You can see the whole dataset here: http://spreadsheets.google.com/pub?key=t6mq_WLV5c5uj6mUNSryBIA&output=html

I chose to start from a Google Spreadsheet in this tutorial, because I wanted people to be able to generate their own datasets to work with. Teachers – you can set up a spreadsheet of your own, and get your students to collect numbers by any means you’d like. The ‘User’ and ‘Tweet’ columns are not necessary; you just need to have a column called ‘Number’.

It’s about time to get down to some coding. The only tricky part in this whole process will be connecting to the Google Spreadsheet. Rather than bog down the tutorial with a lot of confusing semi-advanced code, I’ll let you download this sample sketch which has the Google Spreadsheet machinery in place.

Got it? Great. Open that sketch in Processing, and let’s get started. Just to make sure we’re all in the same place, you should see a screen that looks like this:

At the top of the sketch, you’ll see three String values that you can change. You’ll definitely have to enter your own Google username and password. If you have your own spreadsheet of number data, you can enter in the key for your spreadsheet as well. You can find the key right in the URL of any spreadsheet.

The first thing we’ll do is change the size of our sketch to give us some room to move, set the background color, and turn on smoothing to make things pretty. We do all of this in the setup enclosure:

void setup() {
  //This code happens once, right when our sketch is launched
 size(800,800);
 background(0);
 smooth();
};

Now we need to get our data from the spreadsheet. One of the advantages of accessing the data from a shared remote file is that the remote data can change and we don’t have to worry about replacing files or changing our code.

We’re going to ask for a list of the ‘random’ numbers that are stored in the spreadsheet. The most easy way to store lists of things in Processing is in an Array. In this case, we’re looking for an array of whole numbers – integers. I’ve written a function that gets an integer array from Google – you can take a look at the code on the ‘GoogleCode’ tab if you’d like to see how that is done. What we need to know here is that this function – called getNumbers – will return, or send us back, a list of whole numbers. Let’s ask for that list:

void setup() {
  //This code happens once, right when our sketch is launched
 size(800,800);
 background(0);
 smooth();

 //Ask for the list of numbers
 int[] numbers = getNumbers();
};

OK.

World’s easiest data visualization!

 fill(255,40);
 noStroke();
 for (int i = 0; i < numbers.length; i++) {
   ellipse(numbers[i] * 8, width/2, 8,8);
 };

What this does is to draw a row of dots across the screen, one for each number that occurs in our Google list. The dots are drawn with a low alpha (40/255 or about 16%), so when numbers are picked more than once, they get brighter. The result is a strip of dots across the screen that looks like this:

Right away, we can see a couple of things about the distribution of our ‘random’ numbers. First, there are two or three very bright spots where numbers get picked several times. Also, there are some pretty evident gaps (one right in the middle) where certain numbers don’t get picked at all.

This could be normal though, right? To see if this distribution is typical, let’s draw a line of ‘real’ random numbers below our line, and see if we can notice a difference:

fill(255,40);
 noStroke();
 //Our line of Google numbers
 for (int i = 0; i < numbers.length; i++) {
   ellipse(numbers[i] * 8, height/2, 8,8);
 };
 //A line of random numbers
 for (int i = 0; i < numbers.length; i++) {
   ellipse(ceil(random(0,99)) * 8, height/2 + 20, 8,8);
 };

Now we see the two compared:

The bottom, random line doesn’t seem to have as many bright spots or as evident of gaps as our human-picked line. Still, the difference isn’t that evident. Can you tell right away which line is our line from the group below?

OK. I’ll admit it – I was hoping that the human-picked number set would be more obviously divergent from the sets of numbers that were generated by a computer. It’s possible that humans are better at picking random numbers than I had thought. Or, our sample set is too small to see any kind of real difference. It’s also possible that this quick visualization method isn’t doing the trick. Let’s stay on the track of number distribution for a few minutes and see if we can find out any more.

Our system of dots was easy, and readable, but not very useful for empirical comparisons. For the next step, let’s stick with the classics and

Build a bar graph.

Right now, we have a list of numbers. Ours range from 1-99, but let’s imagine for a second that we had a set of numbers that ranged from 0-10:

[5,8,5,2,4,1,6,3,9,0,1,3,5,7]

What we need to build a bar graph for these numbers is a list of counts – how many times each number occurs:

[1,2,1,2,1,3,1,1,1,1]

We can look at this list above, and see that there were two 1s, and three 5s.

Let’s do the same thing with our big list of numbers – we’re going to generate a list 99 numbers long that holds the counts for each of the possible numbers in our set. But, we’re going to be a bit smarter about it this time around and package our code into a function – so that we can use it again and again without having to re-write it. In this case the function will (eventually) draw a bar graph – so we’ll call it (cleverly) barGraph:

void barGraph( int[] nums ) {
  //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 1; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };
};

This function constructs an array of counts from whatever list of numbers we pass into it (that list is a list of integers, and we refer to it within the function as ‘nums’, a name which I made up). Now, let’s add the code to draw the graph (I’ve added another parameter to go along with the numbers – the y position of the graph):


void barGraph(int[] nums, float y) {
  //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 1; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };

 //Draw the bar graph
 for (int i = 0; i < counts.length; i++) {
   rect(i * 8, y, 8, -counts[i] * 10);
 };
};

We’ve added a function – a set of instructions – to our file, which we can use to draw a bar graph from a set of numbers. To actually draw the graph, we need to call the function, which we can do in the setup enclosure. Here’s the code, all together:


/*

 #myrandomnumber Tutorial
 blprnt@blprnt.com
 April, 2010

 */

//This is the Google spreadsheet manager and the id of the spreadsheet that we want to populate, along with our Google username & password
SimpleSpreadsheetManager sm;
String sUrl = "t6mq_WLV5c5uj6mUNSryBIA";
String googleUser = "YOUR USERNAME";
String googlePass = "YOUR PASSWORD";

void setup() {
  //This code happens once, right when our sketch is launched
 size(800,800);
 background(0);
 smooth();

 //Ask for the list of numbers
 int[] numbers = getNumbers();
 //Draw the graph
 barGraph(numbers, 400);
};

void barGraph(int[] nums, float y) {
  //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 1; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };

 //Draw the bar graph
 for (int i = 0; i < counts.length; i++) {
   rect(i * 8, y, 8, -counts[i] * 10);
 };
};

void draw() {
  //This code happens once every frame.
};

If you run your code, you should get a nice minimal bar graph which looks like this:

We can help distinguish the very high values (and the very low ones) by adding some color to the graph. In Processing’s standard RGB color mode, we can change one of our color channels (in this case, green) with our count values to give the bars some differentiation:


 //Draw the bar graph
 for (int i = 0; i < counts.length; i++) {
   fill(255, counts[i] * 30, 0);
   rect(i * 8, y, 8, -counts[i] * 10);
 };

Which gives us this:

Or, we could switch to Hue/Saturation/Brightness mode, and use our count values to cycle through the available hues:

//Draw the bar graph
 for (int i = 0; i < counts.length; i++) {
   colorMode(HSB);
   fill(counts[i] * 30, 255, 255);
   rect(i * 8, y, 8, -counts[i] * 10);
 };

Which gives us this graph:

Now would be a good time to do some comparisons to a real random sample again, to see if the new coloring makes a difference. Because we defined our bar graph instructions as a function, we can do this fairly easily (I built in an easy function to generate a random list of integers called getRandomNumbers – you can see the code on the ‘GoogleCode’ tab):

void setup() {
  //This code happens once, right when our sketch is launched
 size(800,800);
 background(0);
 smooth();

 //Ask for the list of numbers
 int[] numbers = getNumbers();
 //Draw the graph
 barGraph(numbers, 100);

 for (int i = 1; i < 7; i++) {
 int[] randoms = getRandomNumbers(225);
 barGraph(randoms, 100 + (i * 130));
 };
};

I know, I know. Bar graphs. Yay. Looking at the graphic above, though, we can see more clearly that our humanoid number set is unlike the machine-generated sets. However, I actually think that the color is more valuable than the dimensions of the bars. Since we’re dealing with 99 numbers, maybe we can display these colours in a grid and see if any patterns emerge? A really important thing to be able to do with data visualization is to

Look at datasets from multiple angles.

Let’s see if the grid gets us anywhere. Luckily, a function to make a grid is pretty much the same as the one to make a graph (I’m adding two more parameters – an x position for the grid, and a size for the individual blocks):

void colorGrid(int[] nums, float x, float y, float s) {
 //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 0; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };

//Move the drawing coordinates to the x,y position specified in the parameters
 pushMatrix();
 translate(x,y);
 //Draw the grid
 for (int i = 0; i < counts.length; i++) {
   colorMode(HSB);
   fill(counts[i] * 30, 255, 255, counts[i] * 30);
   rect((i % 10) * s, floor(i/10) * s, s, s);

 };
 popMatrix();
};

We can now do this to draw a nice big grid:

 //Ask for the list of numbers
 int[] numbers = getNumbers();
 //Draw the graph
 colorGrid(numbers, 50, 50, 70);

I can see some definite patterns in this grid – so let’s bring the actual numbers back into play so that we can talk about what seems to be going on. Here’s the full code, one last time:


/*

 #myrandomnumber Tutorial
 blprnt@blprnt.com
 April, 2010

 */

//This is the Google spreadsheet manager and the id of the spreadsheet that we want to populate, along with our Google username & password
SimpleSpreadsheetManager sm;
String sUrl = "t6mq_WLV5c5uj6mUNSryBIA";
String googleUser = "YOUR USERNAME";
String googlePass = "YOUR PASSWORD";

//This is the font object
PFont label;

void setup() {
  //This code happens once, right when our sketch is launched
 size(800,800);
 background(0);
 smooth();

 //Create the font object to make text with
 label = createFont("Helvetica", 24);

 //Ask for the list of numbers
 int[] numbers = getNumbers();
 //Draw the graph
 colorGrid(numbers, 50, 50, 70);
};

void barGraph(int[] nums, float y) {
  //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 1; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };

 //Draw the bar graph
 for (int i = 0; i < counts.length; i++) {
   colorMode(HSB);
   fill(counts[i] * 30, 255, 255);
   rect(i * 8, y, 8, -counts[i] * 10);
 };
};

void colorGrid(int[] nums, float x, float y, float s) {
 //Make a list of number counts
 int[] counts = new int[100];
 //Fill it with zeros
 for (int i = 0; i < 100; i++) {
   counts[i] = 0;
 };
 //Tally the counts
 for (int i = 0; i < nums.length; i++) {
   counts[nums[i]] ++;
 };

 pushMatrix();
 translate(x,y);
 //Draw the grid
 for (int i = 0; i < counts.length; i++) {
   colorMode(HSB);
   fill(counts[i] * 30, 255, 255, counts[i] * 30);
   textAlign(CENTER);
   textFont(label);
   textSize(s/2);
   text(i, (i % 10) * s, floor(i/10) * s);
 };
 popMatrix();
};

void draw() {
  //This code happens once every frame.

};

And, our nice looking number grid:

BINGO!

No, really. If this was a bingo card, and I was a 70-year old, I’d be rich. Look at that nice line going down the X7 column – 17, 27, 37, 47, 57, 67, 77, 87, and 97 are all appearing with good frequency. If we rule out the Douglas Adams effect on 42, it is likely that most of the top 10 most-frequently occurring numbers would have a 7 on the end. Do numbers ending with 7s ‘feel’ more random to us? Or is there something about the number 7 that we just plain like?

Contrasting to that, if I had played the x0 row, I’d be out of luck. It seems that numbers ending with a zero don’t feel very random to us at all. This could also explain the black hole around the number 50 – which, in a range from 0-100, appears to be the ‘least random’ of all.

Well, there we have it. A start-to finish example of how we can use Processing to visualize simple data, with a goal to expose underlying patterns and anomalies. The techniques that we used in this project were fairly simple – but they are useful tools that can be used in a huge variety of data situations (I use them myself, all the time).

Hopefully this tutorial is (was?) useful for some of you. And, if there are any teachers out there who would like to try this out with their classrooms, I’d love to hear how it goes.

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2 == 3 Sale on Etsy Prints

NYTimes - 2008 - Print

I am going to be traveling for a few months starting at the end of April, and I have a pile of prints here that will be sitting idle if they don’t get shipped out the door before then. So, how ’bout a sale?

Single prints: 15% off

2 prints: 25% off

3 prints: Third (least expensive) print is free!

Free print: I’ll ship a free 18″x10″ flower.trees print to a random person who Tweets about this sale, using the hashtag #blprnts. I’ll draw this winner at 10PM PST, on Tuesday April 6th.

You can check out what I have in stock at my Etsy store. If you purchase via Etsy (this is easiest), I’ll refund you the discount/free print. Otherwise, get in touch and we can sort things out. All prints are on Hahnemühle photo-rag paper, and are printed with archival-quality inks. They are shipped flat. Some prints are editions (signed and numbered) – all prints come signed.

I’ll be shipping prints on Tuesday, April 13th. Please get orders in to me by Sunday, April 11th.

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